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Oil Painting Face Mask featuring the painting Lingering Colors On A Warm Afternoon by Jerry Fresia

Boundary: Bleed area may not be visible.

The watermark at the lower right corner of the image will not appear on the final product.

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Lingering Colors On A Warm Afternoon Face Mask

Jerry Fresia

by Jerry Fresia

$17.00

This product is currently out of stock.

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Product Details

The Center for Disease Control has recommended the use of cloth face masks to help fight the spread of COVID-19.

This face mask is made from 100% polyester and includes two ear loops with adjustable grommets for a comfortable fit.

The printed area of the mask is approximately 7" wide by 5" tall.   This mask fits well on adult mens' faces without the grommets but, due to the adjustable grommets, can be worn snuggly by adult women, as well.

Please note - this is NOT a surgical grade mask. It is not intended for any medical or commercial uses, whatsoever. It is a simple, cloth mask designed for everyday use to cover your mouth when out in public. The mask should not be used in any medical or surgical setting.

We make no warranties that the mask prevents infections or the transmission of viruses or diseases.

Design Details

I painted this from the Academia bridge on a sunny afternoon in Venice.

Ships Within

2 - 3 Business Days

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Face Mask Tags

face masks plein-air face masks venice face masks fresia face masks italy face masks

Painting Tags

paintings plein-air paintings venice paintings fresia paintings italy paintings

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Artist's Description

I painted this from the Academia bridge on a sunny afternoon in Venice.

About Jerry Fresia

Jerry Fresia

As with many artists, I turned to art professionally after zig-zagging through a few different disciplines. For example, for a time I was a professor of political science and I wrote a couple of books on American politics. Now, however, I teach painting and write on art. My wife, Conchitina, and I run an art gallery in Bellagio (Lake Como), Italy, and organize painting holidays. My primary painting teacher was William Schultz who had studied with Robert Brackman and others whose teachers can be directly linked to the philosophy and practices of Robert Henri, John Singer Sargent and Claude Monet. I also studied briefly with Wolf Kahn, once a student of Hans Hoffman, whose work reflects both traditional and contemporary influences, a...

 

$17.00